More Ghosts April 6
This is me making a thing out of two-parters, or it would be if I had more to share, which I don’t.
More digital ghosts. Go.
Podcast: Play in new window | Download
This is me making a thing out of two-parters, or it would be if I had more to share, which I don’t.
More digital ghosts. Go.
Podcast: Play in new window | Download
Kind of moving backwards for me, but what the heck. Here’s some digital ghosts.
Podcast: Play in new window | Download
This? Is far closer to what yesterday’s post was supposed to sound like. I swear to Maude they’re using identical synth patches.
Anyway, it’s like the worlds worst church hammond misconfiguration of all time.
Podcast: Play in new window | Download
This track must have suffered some sort of settings change at some point along the way. I remember naming it “Music In Two Languages” because it was supposed to sound like two different things were going on: one tonal and one noisy. In the end, it’s all post-apocalyptic noise. I’m ok with that.
Podcast: Play in new window | Download
When I released Festival Of Lights, I said I would try to remake it with less drums, because the drums end up getting bass all over everything, and that made it weird and boomy in the middle.
So here we are, I’ve redone it, and I don’t like it. There’s a new, plasticy hum thing going on that I don’t know where it came from and it’s just gross and I’m not sure how to get rid of it. But nonetheless, I’ve done it, I’m sharing it.
The first take is almost always the best one, folks. Words to live by.
Podcast: Play in new window | Download
Carl Sagan said, at some point, that we are all made of “star stuff”, but he either didn’t really say it or he said that sort of thing a lot , because I haven’t been able to find a definitive quote.
Anyway, Carl Sagan also did Cosmos, and Cosmos had a whole boatload of delightfully cheese spaced out synth music, and this is my crack at it. It’s a wacky combination of the MIDI-est strings I could find, a free 2-oscilator synth I found online and programmed myself for that extra incompetence in the neer-neer-neer sounds, and the background drone is a sample from the second episode where Carl says “astonishingly different”. Because I could.
Podcast: Play in new window | Download